David Byrne

The Amateurs vs learning about Picasso

"In my opinion, though, it's more important that someone learn to make music, draw, photograph, write, or create in any form, regardless of the quality, than it is for them to understand and appreciate Picasso, Warhol, or Bill Shakespeare..." 

David Byrne writes the above quote in the fantastic thought piece, HOW MUSIC WORKS. Here, he talks about the need of amateurs to keep the arts vibrant, and more importantly, to bond a self healing glue for societies, with an emphasis on the disadvantaged.

At a certain point in the American industrialized education system, we abandoned the active creative arts, for art history.

The powers that be thought it more wise (and certainly less expensive) to teach an understanding of mostly Western Classical Art, than to let children create. Funding for arts programs plummeted all through the country in the last decade. 

But the creative act itself is the most vital. Art history and criticism is more the perpetuation of an elitist system created to worship monuments, over intuition.

Now, don't get me wrong, I've worshipped some of those masters works myself, but I would advocate for less worship, and more encouragement to the youth, who are seeking ways to figure out problems.

One of the best vehicles human beings "created" for problem solving, is art. And the evidence is clear that problem solving skills is an extremely desirable trait in industry now. So, if you want to give a gift to a child and an advantage, a nice pat on the back and a Beat Machine can go a long way.

 

A new book to read - How Music Works

Finally getting around to reading David Byrne's book, "How Music Works".  It was recommended by a dear friend, and it's been sitting in my book queue for months.  

And quite frankly, it feels real nice to have a book queue. You should start one today.  Books are practically the only things I collect, aside from vintage musical gear and a couple old film cameras. But, space is getting more and more limited and AU's + VST's are getting so good, that soon, I won't be needing that Roland AP-7's  (the one that works 40% of the time) or the TB-3's, or the Juno's or even the Nordleads anymore. Well, the Nord is not quite that old.

Irregardless, start reading again.  Throw away the futurist opinion that my "too smart for his own good" computer scientist friend "C" has; that books are obsolete tech. We will all benefit collectively from your curiosity.  

And as far as the book, David's insights thus far have been mind opening.  It's really the first theoretical music book I've picked up, even though he might be reluctant to classify it as such. And even though I've recorded and released records over the last few years, I never thought about the form as conceptually as say, filmmaking.  It always seemed more instinctual.  But, I welcome this new openness.  And what better way to start then Byrne, while I track down Eno's, "Year with Swollen Appendices".