kinji fukasaku

10.04.14 - 10.16.14 - The List

It's been a busy couple weeks, and unfortunately, the preoccupied knife sliced through those extra fatty hours, which were then tossed to the ravenous dogs. That time, reserved for strategic enjoyment, better known as, MOVIE WATCHING, chowed down upon by life.

What does this all mean man!  It means I could only get through a few films.

1. Yakuza Papers - Deadly Fight in Hiroshima - Kinji Fukasaku
2. Yakuza Papers - Proxy War - Kinji Fukasaku
3. Yakuza Papers - Police Tactics - Kinji Fukasaku
4. Yakuza Papers -  Final Episode - Kinji Fukasaku

Boy oh boy, what a goddamn cool experience this is. I had seen Battles Without Honor and Humanity several years ago, and then re-watched(yes, this is a word) it a couple weeks back. But I had never gone through the whole series.

This is filmmaking so cool, that no matter how fucking hard Western cinema tries to appropriate it's style, the real thing is always, always better, more interesting and certainly, original. Straight from the source baby. I don't give a goddamn what your budget is, or how many VFX you can stuff in a scene, this shit is just straight up cooler. The end. Argument over.

Although, I am well aware that "cool" was not the intention as this is not a glorification piece, but a social critique. Unfortunately, that is an absolute impossibility as far as cinema and gangsters are concerned. Crime always pays.

Also, as it's an unbending, pure piece of genre work, you can be critical of many elements of it if you are a bore, but what's the purpose of that? You are a bore. Let it go. I'm done debating.

Go see this series. This is the definitive Yakuza set and a testament to how modern Japanese cinema was.

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9.7.14 - 9.14.14 - THE LIST

Film list from the previous week:

1. Steamboy - Kazahuro Otomo 
2. Metropolis - Rintaro 
3. Battles Without Honor and Humanity - Kinji Fukasaku
4. Dodes'ka-den - Akira Kurosawa
5. Galaxy Express 999 - Rintaro (the film version)

This was an anime heavy month for me, as I had to reexamine the form for various purposes. The sensibilities at times are out of sync with what I personally enjoy, but in other moments and depending on direction, the works are spellbinding.  

Some of my favorite films of all time are "anime", although most of those titles fall unto the Ghibli team, which mostly functions in a separate category then "anime" in it's most common associations. It's almost impossible to dislike what Ghibli produces, but I feel hesitant to even write about those works, because to do so feels heavily redundant. If you don't enjoy what Ghibil has to offer, you're probably not interesting in movies in general.  

But there are some other anime classics that remain deeply integrated into my psyche.  The sheer weight of imagery in AKIRA, the collective works of Satoshi Kon, and Shinichirō Watanabe's Cowboy Bebop series are some examples.  Yes, these examples are generally the touchstones for the genre, but again, I'm far from an expert in this subject.   

just gander at the insanity of this image....

just gander at the insanity of this image....


the future: a robot, the human....

Last night, towards the end of an intimate wedding, three men huddled together at the back of a fancy hotel courtyard, cocktails in hand, discussing THE SINGULARITY. An almost spontaneous conversation with very little pre-talk. Straight faced, and committed.     

Two days prior, in a small downtown bar, the patron and bartender sparked up several conversations. It was obvious that these talks happened quite regularly. As one conversation bounced to the next, THE SINGULARITY reared its once ambiguous head into the dialogue seconds before serialized Japanese Yakuza movies from the 70's.   

A week before this, in a large cafe with a direct path to the Hollywood sign, a man and a women, after a lemonade and espresso chatted about the robotic overlords; one part jest, one part contemplative certainty.  

THE SINGULARITY: no longer relegated to sci-fi dork-hood, or computer scientist savants and futurist with lots of time on their hands.  It is now part of the dialogue. Maybe not with the same rapidity as The Kardashians, but in enough minds to infer that it's manifestation is inevitable. Lets just make sure we can become friendly enough to make room, because our time as the top of the chain is limited.  As Douglas Rushkoff states, "I'm on team human".