A new year is essentially a new day. A rebirth. Here is O, its expression.
Edition 1/1
.44Ξ
A new year is essentially a new day. A rebirth. Here is O, its expression.
Edition 1/1
.44Ξ
Writer Jamie Toth wrote an excellent piece about our 2018 film MAN.
I’m going to admit I wasn’t expecting to emotionally connect with this film the way I did, but the impact of the movie left me in tears, grateful for the experience.
Read the rest of the review here
I just dropped a new 1/1 piece on the OpenSea. It’ll find a home when it needs one. You can purchase it here (I might consider a fair bid but I’m not in any particular hurry…that said, anything is possible ;)
Description:
"0xcandyflipmedaddy" is a neon journey through a thin line between layer 0 & layer 1. where dreams are birthed, where ghosts haunt, where love is lost, found & recycled.
edition 1/1
0xcandyflipmedaddy
edition 1/1
.77Ξ
my latest drop from the Extensionism Origins Volume 0 titled superposition // ghosts eat world went live moments ago. still getting the hang of opensea and this new world.
description - the moment contains all of eternity. "superposition // ghosts eat world" is the story of peace of mind through spontaneous expression.
edition 1/4
.07Ξ
Hi friends, this has been an extended silent period, but only on the surface. Under the hood, lots going on, but we will get to that in another entry.
My identity, the one that has identified itself as myself is that of a creator - I have been crafting works, in multiple mediums, exhibited at galleries, film festivals & microcinemas for years, and with this windy trail, I’ve always held a staunch focus on ownership. In the last few months, I’ve been thinking of what to do with works that have not found homes or were never intended to find homes. Art is many times an act of nothingness from nothingness, a commitment to the now, by extension, a nonexistent future. When we sober up from the trance, we occasionally think of what now occupies my thoughts.
Keeping my works in a vault is an act of unnecessary attachment, even if demand does not exist. They need a chance to breathe on their own, an untethering if you will. My process has always been forward-oriented so things get forgotten, left in an attic once the wheels start turning again. This is not fair to that which is a consciousness of its own. With newfound clarity, I believe these works desire new homes and at the least, a chance to find independence in semi-permanency.
While I work on the new material, I am releasing some of these spontaneous or archived pieces to make their way onto the internet, locked on-chain. This gives me an opportunity to connect, and also keep my process going.
I have several projects that will go live in the coming months. But first, some 2D art from a collection titled Extensionism Origins Volume 0. There is one genesis piece that was put up as an NFT months prior titled MIKASA 2021, just to test the system. I had no idea what, and if I would pursue this space, full of reservations & equally deep in another project.
I know the arguments against NFTs (& crypto in general) but they do not hold up in my opinion. Not after my own personal alpha/beta involvement, skin in the game & witnessing the joy of community & fun. There are plenty of negatives, of course, they just do not outweigh the positives at this time. We live in a world swallowed by controlling megacorps, but for these few months now, the dream of an alternative has blossomed. A dream is good enough for me. The return of fanzines, access & possibilities.
While the OG genesis piece MIKASA 2021 sits as a 1/1, I will start releasing new drops before the other media goes live. These will not be 1/1’s, but a low edition number with low prices. I want people to access them if they desire, & profits feedback into the lab. For one, I have a feature film that is in post that needs additional funds for finishing. I have a record in post that will benefit from additional funds for finishing, and that is how it goes when you own your work. Fundraising never stops.
My hope is of course that the works are supported & I know that I would have to prove that value in time, but, ultimately, it is a process of letting go. It’s a difficult step to take, shooting as it were into the void. Ultimately, the release signifies a movement away from the past, a rebirth.
With that said, below is <\> ~ = duplicate extensionism, an edition of 5 as an NFT.
this website is just a shell. but inside the shell, a living organism. from the outside, it does not appear so.
it is resurrected.
"ya:twtd" has moved one foot into the domain of post-prod (1 of 2 major works in prod for the year 2021)
"ya:twtd" // image 0
©2021(2) ANIMALS
a) new feature-length film (“y.a.t.w.t.d”) about to enter post prod
b) secret something else that I’ve had to remain silent on
c) 2021 NFT collection….a very small handful….this was the first piece uploaded (Mikasa 2021) to learn, was not yet avail but the NFT super artist Ali Sabet found it, made a bid & encouraged me to go forth…so, I will make exceptions for a collector with the right bid before the rest of the small 2021 collection goes live.
focus is the final word.
Hi friends - today is the launch of my latest media project, "one small thing". It's a series that merges bite-sized digital microfilm character studies with analog collectibles & one-of-a-kind apparel. Our launch subject & title is "one small thing, ali sabet", which is a collaboration with my dear friend, and extraordinary artist Ali Sabet.
Below is the description of the project.
With love
am
________
"one small thing" is a series that focuses on the tiny details in the streams of individual life.
It is from this stream that creativity flows and with each microfilm, limited collectible works are made available.
They are certified, rarified, original one-of-a-kind offerings from the subject to you.
There are four extra rare pieces of apparel available in this series. Pick one up below:
www.sabet.art/one-small-thing-sabet-x-amir-motlagh
——
Youtube & Vimeo Embeds Below:
Starting today (7-11-20), "my latest single-channel film work, “three eleven or (a meditation on stillness inside chaos)” is available to stream for free on Youtube & Vimeo through the month of July. Links below.
You can continue to buy/support the work here:
https://vimeo.com/ondemand/threeeleven
**note: headphones advised**
On Wednesday, March 11, 2020, the United States went into shutdown to keep citizens sheltered from the threat of a mysterious global pandemic sweeping the world. In this meditative days-in-the-life-of work, a small family experiences the fog of time from a mandatory stay at home order, as a strange, comforting togetherness forms in a very uncertain time.
--
directors statement:
"three eleven" is a meditation. It is a reflection of boredom, of togetherness, of uncertainty, and most of all, stillness. It intends to direct the viewer into the granularity of life in its most basic, mundane practicalities, and thus, direct focus into the beauty of routine, and of the nowness, all while under the umbrella of impending & uncertain chaos, a lingering scent of anxiety as the real outside world experiences shocks unlike any other in modern times.
It is intended as an experience, hypnosis, and a reflection. The stillness is the message. While stripping the “narrative” of the filmic medium into its most minimal building block, the frame clicks out of “narrative” time, and into clock time. It’s a universal acknowledgment of this very “moment in time”, and we intend for this to be a visual/audio documentation at its most basic level while conveying the beauty of togetherness and separation at its most minimal.
This work is indebted to Ozu & Kiarostami, who oddly enough (the latter), and without my prior knowledge shares his birthday with our release date.
----
credits:
Shot & Directed by Amir Motlagh
Produced by ANIMALS & Charles Borg
Story by Charles Borg & Amir Motlagh
Music by Amir Motlagh (three eleven zazen) - BMI
© ANIMALS 2020
----
release date: 06/22/20
trt: 33 min
original aspect: 1:85:1
The release of my latest work “three eleven or (a meditation on stillness inside chaos)” includes a single track 33min 11sec composition titled “three eleven zazen” that is now available as a standalone purchase.
You can pick it up now for $5 USD on the ANIMALS Bandcamp. I think it’s best to experience the film first, but I cannot dictate my preferences in the digi space. Do as you wish my friend.
This marks the first time I’ve used my full name on a commercial music release.
The film is below. The soundtrack is below that (just click the image).
At midnight PST (06/22/20) is the official release (soft release) of my latest work, three eleven or (a meditation on stillness inside chaos). Below is information on the featurette including a rare director’s statement. As always, if you cannot afford to watch but desire to, let me know and we’ll hook you up. Stay well.
synopsis:
On Wednesday, March 11, 2020, the United States went into shutdown to keep citizens sheltered from the threat of a mysterious global pandemic sweeping the world. In this meditative days-in-the-life-of work, a small family experiences the fog of time from a mandatory stay at home order, as a strange, comforting togetherness forms in a very uncertain time.
--
directors statement:
"three eleven" is a meditation. It is a reflection of boredom, of togetherness, of uncertainty, and most of all, stillness. It intends to direct the viewer into the granularity of life in its most basic, mundane practicalities, and thus, direct focus into the beauty of routine, and of the nowness, all while under the umbrella of impending & uncertain chaos, a lingering scent of anxiety as the real outside world experiences shocks unlike any other in modern times.
It is intended as an experience, hypnosis, and a reflection. The stillness is the message. While stripping the “narrative” of the filmic medium into its most minimal building block, the frame clicks out of “narrative” time, and into clock time. It’s a universal acknowledgment of this very “moment in time”, and we intend for this to be a visual/audio documentation at its most basic level while conveying the beauty of togetherness and separation at its most minimal.
This work is indebted to Ozu & Kiarostami, who oddly enough (the latter), and without my prior knowledge shares his birthday with our release date.
credits:
Shot & Directed by Amir Motlagh
Produced by ANIMALS & Charles Borg
Story by Charles Borg & Amir Motlagh
Music by Amir Motlagh - “three eleven zazen” © 2020 ANIMALS Publishing Worldwide - BMI
© ANIMALS 2020
release date: 06/22/20
trt: 33 min
original aspect: 1:85:1
first, open your eyes. recognize it. you do not carry the same weight.
this is a turning point. i am hopeful.
Richard Wright - Black Boy
hi friends -
my latest drop is now available worldwide, including these establishments below.
if you purchase directly at Bandcamp , the singles comes with a digital art-book done in collaboration with artist jin park and a bonus instrumental -