CINIMA and Mirs - Rain (new drop Oct 25th)

Clicked up in the studio with my friend & collaborator Nima Rezai (CANYON) recently as he’s launching his new project CINIMA. This is our first collaboration between our two projects, CINIMA & Mirs.

Our first single, “Rain” drops on all major platforms Oct 25, 2019.

Rain - CINIMA & Mirs

Rain - CINIMA & Mirs

Rain - CINIMA & Mirs

Rain - CINIMA & Mirs

Three Worlds Original Motion Picture Soundtrack Composed by Julian DW Brink now Available on Pandora!

The Julian DW Brink composed, original “Three Worlds” soundtrack is finally included into the Pandora Radio catalog. You can stream the original soundtrack now, and shortly, add the station so that it plays similar songs through the music genome project. (you can also own the record, among other places at the ANIMALS Official Bandcamp Page in full 24bit quality)

The score was mixed by Jake Jackson at Abbey RoaANIMALd Studio 2, London & mastered by Cicely Balston at AIR Studios, London.

Mirs & KidGusto's RAINBOW SEASON LP now on Pandora Radio

My latest album “Rainbow Season” is now included in the Pandora catalog. I personally use Pandora more than either Spotify or Apple Music, as its artist station radio options are great in the car (especially if you live in LA, as you live in a car).

Just another choice….

Mirs & KidGusto’s “Rainbow Season” now on Pandora!

Mirs & KidGusto’s “Rainbow Season” now on Pandora!

Rainbow Season - The Film

While we initially wanted to release both Rainbow Season, The Album and Rainbow Season, The Film simultaneously, we (KidGusto and I) decided to stagger the releases, with of course, the record coming out first.

The last few years I’ve been releasing films with the records I produce, starting with the release of CANYON in 2016, though I had tried to do it with Spin Cycle back in 2010, but I didn’t have the infrastructure to execute.

Films with music is becoming standard practice to varying degree, and so with this effort, we tried to push that idea further, melding the experience between the two forms in a slightly different envelope.

The first trailer for the new feature length work went live today and we’re having a limited VOD soft release starting on Thurs 07-11-19, It’ll be available shortly after on other platforms, but we priced it to make it a no brainer for anyone interested in an early, ad-free experience. You can of course, buy it to own as well (DRM-Free). It’ll roll out to other platforms shortly after.

(ps: if you buy the film on pre-order (not rent), shoot me an email & I’ll get out the record to you in 320kbps mp3, DRM Free as a bundle. i’ll honor this through the pre-order period as a sincere thank you for the support ;) )

Mirs + KidGusto present Rainbow Season

My new record is live!


Rainbow Season, the full-length Mirs debut, a collaboration with KidGusto releases worldwide on TrueGrooves, 05/24/19.

Available for purchase & streaming worldwide including:


Major Streaming & Purchasing Sites:


RAINBOW SEASON - Friday, May 24, 2019

TrueGrooves presents Rainbow Season, the Mirs debut full-length album, a collaboration with KidGusto available on all digital and streaming platforms worldwide on Friday, May 24, 2019.

Executive produced by Pejman KidGusto & Amir Motlagh (Mirs).

©2019 TrueGrooves / ANIMALS


Turned in final comp.....

Turned in my final comp for a project started in January of last year. I am excited to share with you soon but we gotta get our timelines straight. Roscoe & Buckley would approve!


A hiatus, a subtraction - Things w/ Amir Motlagh Ep 14

Well, that’s all she wrote for the immediate. To be frank, and if I were to search a pattern, this particular “Things” comes and goes, and for now, it’s a go.

I’ve been very selective with my time for the past few months, as a set of project tasks demand more and more refined attention, which gives me two options. Cutting the excess is the one I chose.

Subtraction is an area of life we overlook, replaced by addition. We do more, instead of doing less. And doing less is where the asymmetries are found, because ultimately, focus is an act of subtraction.

So far now, farewell. Though, in place of this, other things shortly to come, with exponentially more use case.

2018 in short review....

This was a wonderful year for us at ANIMALS & we are stoked that you shared it with us! Here is the short review:

  • We released two feature films: THREE WORLDS & MAN (both also avail on Amazon Prime in all English speaking territories along with several other major platforms). One of these we shouldered for close to 5 years. This also concluded the THREE MARKS TOO MANY SIGNALS series of works that started with the release of CANYON in 2016.

  • We re-released an HD update of my 2010 feature film WHALE (Amazon Prime & other platforms avail as well).

  • We released two soundtracks (OST) for both films on all major music platforms. (THREE WORLDS / MAN)

  • We re-released a collection of Mirs singles into a short full length record called Singles 1218 (including two all new tracks from 2018 ((Saturday / Hafiz Drinks from the Cup of Time V1)) available on all major music platforms)

  • We released the Mirs Visual Short Film, what do you know of water’s worth while standing on the banks of the euphrates” - This was technically a 2017 release, but it was close enough to a year to date to include here.

  • We almost got done with two other major releases, but they had to be pushed into 2019, both around 90% finished. These two where brought into life by incredible stretches of faith & ample serendipity.

We look forward to a wonderful 2019, and are busy with new works, new collaborations and new possibilities. I want to thank everyone who we worked with us this year and all the incredible talent we collaborated with on these projects in a plethora of capacities, and to everyone who shared and helped us push our agenda forward.

Thank you deeply and with the sincerest gratitude,



Life, Like A Fingerprint (or: Why Ted Never Wanted To Be Marlon Brando)

In my very late teens, I took up acting by chance. I had been interested in movies (grew up on foreign cinema), and had no direction in my life (aside from snowboarding), and it fell into my lap in the way most things do. One part, get out of trouble card, the other, channeling the trouble. It was sort of necessary, however brief.*

One of my earliest teachers, Ted Jones (an alias) was a white-bearded man in his sixties. He had bit roles in several major movies, and did regional theater most of his life. And for extra money, he was a licensed taxi driver. He emphasized that the profession of acting was an ill-advised path, whether you “make it or not” and like many actors, he found the line of work accidentally, to get out of trouble himself. Nevertheless, he was good at it, and I believe he actually liked it. At his point though, he might not have had a choice, habits are hard-worn.

One day after some standard, silly actor exercises, while we sat in some weird meditative sit down position, while giving a lecture, Ted Jones blurted out tangentially, “I would never trade my life for Marlon Brando’s”. I felt he had ruminated over this many a time before. Marlon Brando was of course, at that time, and to this day, regarded as one of the greatest movie actors in cinema history (if not the greatest). This is of course, a consensus popular type of “greatest” because people hardly ever know what they are talking about when describing performances. But Brando was mythicized in acting circles, much of that owed directly to the hands of director Elia Kazan, most notable, when Brando played ex pugilist & has-been Terry Mallow in the exceptional film, ON THE WATERFRONT. The myth was solidified, specifically in one scene romanticized to death, that in which Brando plays with his co-stars (Eva Marie Saint) glove in a naturalistic, off- the-cuff, improvised way. To this day, there is neither a film school nor an acting class unwilling to sell you on the regurgitated magnitude of this moment, frozen in time. Kazan was certainly a sound director (a personal favorite), and one that became infamous in the black listing scandal during the McCarthy era, which seems to be in the zeitgeist again. Brando of course rose to fame prior, playing Stanley Kramer in A STREET CAR NAMED DESIRE, first on stage, then on the big screen.

Brando always disparaged his profession whenever given the opportunity (as do other well-known actors, possibly as a mimetic homage to other great actors, or possibly something more internal, though I don’t want to speculate), and barely prepared for his roles as his career went forward and fame overwhelmed. A story comes to mind is that he had a microphone in his ear, reciting lines feed to him over radio waves. Though, he certainly was a natural, and his naturalness was something we like to see on screen. That’s usually what differentiates actors that we prefer. Something about the personality and ease in front of a camera. The rest of it, the spectacle of losing weight or becoming physically something altogether different, those actions have a tinge of superficiality attached, though they make great press and help win awards. But that extra stuff often has less gravity then a mere smile, a face never too pretty nor too ugly, and a certain charisma we call star power for lack of the right words.

But coming back to Ted Jones remark - Brando’s life was full of tragedy. He hit the highest highs, and the lowest lows, and for Ted, life was more than a career. That kind of thinking is irrational, or rather, incomprehensible for a 20-year-old would be artist. Glory is after-all, the immortality that we seek. To change the world, blah blah, ego blah! But, we all learn of the tradeoffs of these grandiose illusions as time marches forward, and with every level up, after a brief period of ecstasy when going up, the psyche neutralizes and you deal with life in much the same way as any other period. There is a clip of an older, more mature Mike Tyson dismissing all his championship belts as meaningless. And a life filled with excessive tragedy and suffering, even when the highest peaks were reached, was too much of a net negative tradeoff when the macro lens was applied as far as our subject Ted was concerned.

Of course, there is an additional argument to be made here, one that we can’t skip over, one in which the great writer, & lover of the twitter argument Nassim Taleb calls an example of “sour grapes”. That Ted Jones, never achieving the status he craved consoles himself through an illusion, or rather, delusion to protect his ego. Of course, this is a psychological possibility, but also, a weak, projected judgement about the wants and needs of another human being, with another fate, and an individual path like a fingerprint, as valid as all others, and inseparable from all others. All of the upside, and limited downside is nice, but the universe is a trickster. (a side note here, Taleb has major distaste for actors and the acting profession, which is ironic in that it is the king of Lindy when it comes to professions).

Which brings me to this: the highs will bring the lows, and like a roller coaster, up and down it goes.

*Post script - I quickly found my way out of that career because the auditions I got called in for and the opportunities at the time where horrendous (terrorist shit). I had decided that my stories where essential & no one but myself could tell them (immigrant shit), so I moved into another realm, just a hop, skip & jump away. This trajectory is partly why I have such fondness for John Cassavetes to this day.

What is the movie "Three Worlds" about?

Every week since its release, I get an email (or several) asking a question similar to this, “hi, can you please explain “the XYZ” scene in your movie Three Worlds (sometimes they spell it “3 worlds”). Occasionally, I get the all encompassing, “what is the movie Three Worlds about?”

I try to reply back to all the sincere questions, but the answer is not a fully satisfied one, though the response to my answer seems to be enough.

I recently tried to think if I had ever thought about “meaning” in a film. And it occurred to me that I had not, at least not in a concrete way, but I assume this is irregular.

My answer is always the same; “I have my ideas about what the scene (film) is about, but yours are better than mine, even if you haven’t decided yet.”

Happy Thanksgiving Friends, enjoy time with your loved ones. And if are particularly feeling alone, reach out and say hello.

Roscoe and Amir