Three Worlds screens once again in Chicago as a “Festival Spotlight” film for the annual VAiFF. Screening takes place at 1:30pm, Sunday Oct 7th at Fort Knox Studios. Producers will be on hand to take questions. Tickets for the event are part of the festival pass. Click here:
While MAN just launched, ANIMALS secretly re-released WHALE in HD. While I'm generally against revisionism in art, some very slight modifications have been made to the 2010 release. We are in the software eat world age after all, where things get continuously updated. Nothing is ever finished until it ceases to exist.
The project is available for $2 to rent, $7 to buy and is available in all territories on Vimeo. The original SD version has been and still is available on Amazon (along with a few rare DVD's), though the new HD version will be available soon and free to Prime subscribers. If I could dictate your direction, I would say, use the Vimeo route for now.
KEY ART REFRESH
Both discussions centered around my latest feature films (MAN + Three Worlds) that are preview screening in Chicago today (4/21) at Chicago Filmmakers. Both were gracious in having me on.
The FILMWAX podcast runs roughly an hour and includes Vera Farmiga and Tommy Avallone as guests before my segment. You can just my segment of the FILMWAX interview here. Though I think you should just subscribe to the FILMWAX podcast because it's excellent.
My producing partner Charles goes in to film an interview segment with CHICAGO FILM NEWS later this week.
All in all, things are moving along on getting these films out into the public space. We have gotten several distribution offers (for the only film we are showing to companies right now), and are weighing our options.
My real drive at the moment is showing these films together since they are all part of the same series along with CANYON. But, of course, I'm flexible on this since this is not all under my control.
In any case, if you're reading this, and program film slots, let's talk. It's a win, win.
The box office is open, so we would love to see you there. I am planning on attending (schedule permitting) but my producing partner & co-writer on MAN, Charles Borg will be present. If you are press, or know anyone who would be interested in writing about the event, or needs screeners, please reach out.
This has been a long time coming, but we wish to come to other cities. If you are interested in booking the films, please reach out. Whether it be film festivals, one-off events, microcinemas, arthouse theaters or gallery spaces (etc), we are open and excited to hear from you. We want to bring this to you in a way that feels organic and connected.
I'll be updating as the date nears. Thank you all for the years of support. 💚
i enjoy desert hikes in the night. the landscape & fauna take on a completely different character. the quiet, the darkness, and the enormity of the space swallow you up. we humans often feel like aliens, as if we were put on this earth, a separate from, forced to survive the inhospitable. the desert represents that essence well. it is a faulty, modern feeling of course. we are as much part of the earth, as the earth is part of us. 30k years ago, a human walked on this very part of the earth, not feeling as distant to the soil (aridisols) as we do know. of course, this is a presumption, but, it's a bet i'd be willing to make.
below is the night study (anza-borrego 03.05.18 - 10:30pm)
Coming sometime in 2018 is my latest feature film, MAN. This is the first available teaser for the project. We are currently creating our release schedule though I have no estimates other than "sometime, 2018". If you'll make some noise about it, the sooner it will find its way.
The film has yet to world premiere (working on securing dates/venue) although it has won its first award a little over a month ago at a private festival event (CICFF).
alternatively, on vimeo if you prefer:
Just a few more days, and with that, I will have (mostly, if not completely) wrapped up several projects that have been, works in progress for several years. What a beautiful relief.
Happy Holidays, Merry Christmas, and Happy New Years :)
I'll leave you with a picture of my fathers bunnies, Mr Totoro and Marshmellow.
(if inclined, please watch the work first...it runs 15min.)
Tomorrow marks the online premiere of my latest work (today for you) which I have conveniently embedded the link in this post. (if you prefer, on vimeo here)
Two birds, one stone on the shallow end, a postmodernist twist on a Rene Magritte expression on the pretentious end. Both, equally as valid.
This is the working synopsis or thesis put through a press release blender: "The film captures an intimate sliver into an Iranian American Sufi Muslim poet (Mahsa Hosseini) as she goes about finding meaning in her life. The visual narrative, shot in a classic cinéma vérité style, provides a strong counterpoint to the hidden, synth-driven, processed vocals in "Moonlighting Mission Man". The video eludes to a dual narrative between the film & the music, though kept hidden from plain sight."
Ultimately, this project started with this question, "Is this a short film or a music video?". And for me, ended with identity. (an ephemeral thing, with real-world consequences).
But back to Magritte, and equally, Jean Baudrillard. Why is the opening question important to me? Media (and its contents) by in large is an open-ended question nowadays, and while I'm personally working through the details of this new paradigm, doing so with a dichotomous media might be my best way of processing it. What is a film? What is a tweet? How are they different? These are important questions in hyperreality when words have less direct meaning, and content rules all.
You can finally pick up an awesome t-shirt in many different sizes for my ongoing music project MIRS by clicking the image below (15% off for the time being). All sales feed right back into the project, so, not only a good way to support but more important, a fresh way to get outside and stunt on your neighbors. Love yall :)
Currently wrapping up the final post production on two long-form projects, both set for release in 2017, of which are titled MAN & THREE WORLDS respectively.
They are grouped together for multiple reasons, most of which are not important for me to state on paper, though, I believe, will be somewhat self-evident upon inspection. Even maybe an ah-ha moment at a later date. As Ozu was once heard remarking, "The end of a film is its beginning". I stand firm on his statement, at this time.
This body of work is somewhat hard to define in the current media space as it exists today. MAN and THREE WORLDS are closely related to feature films, but, share some space with the concepts of internet defined new media, and also, classic single channel works. The division of labor hierarchy, a stalwart of fiction filmmaking was not really present, and nothing in the process was ever too familiar. Simply put, it was a bottom-up effort (of course, with ample help, without which, all three, non-existent). With that said, all three were created with different methodology, defined by their own individual worlds, under a larger, unified universe.
But, I am at the state where I do need to raise a bit of capital to see this through completely into a shippable, or at least, releasable product. Very little $$ comparatively, but enough so that I am seriously considering a CROWD FUNDING CAMPAIGN. In fact, unless someone comes along this week and puts up used car money, I'll go that route, not so begrudgingly anymore, because I think the urge to share overrides my conditioned response to crowd sourcing fiction. On second thought, I hardly call these works fiction in the common language sense ( language is never 1 to 1) so most importantly betweeen the two parties involved, you need to see them, but first I must finish.
Also, to really ride #skininthegame to its conclusion, here is some prototype artwork for the projects. I have never shared this early in the art direction process, as art is historically done when presented in its final form. But, art is now software, as art is a product of its time and software has eaten the whole, entire fucking world in its time. Also, software is always beta.
So, here is my beta version artwork posters for the collective of THREE MARKS TOO MANY SIGNALS projects. These are again another collaborative effort with my long time friend, artist Ali Sabet who puts up with my art direction barking, which often gets reversed by better instincts. Note that CANYON is already released, but will be updated with a film poster as well to go along with the album art.
NOTE: Everything in this post is temporary. Except, the fact that the projects are releasing.
Was just reflecting on the emergence of "Visual Albums" after this article was brought to my attention highlighting CANYON. Truth be told, I did not want to label CANYON as such since it comes at the heels of amazing visual releases, but i've been personally trying to put together a "visual album" since 2010, and failing to execute until CANYON.
My first attempt came at the release of my first MIRS solo EP, SPIN CYCLE. I couldn't pull resources together to execute. The second time came with the release of MEAT ON YOUR LONELY BONEZ, and again, while a treatment was prepared and some meetings arranged, we never went ahead and executed. Which, in hindsight proves valuable, since I feel those concepts lacking cohesion now. But, thats the truth with any work from the past done, or undone.
The interesting question here is how this one came about and why the other two attempts failed. Simply, we reversed the process of production. We first shot CANYON, the film, then we got to finishing the record. Of course, both these things were happening concurrently, but we got the visuals in the can in November of 2015. In fact, a couple rotting pumpkins show up on frame for the astute observer. The rest of the process took the time it takes for any project to develop, especially exasperated by the fact that career responsibilities lay elsewhere.
I'll leave you here with CANYON if you haven't seen it or are just coming across this. My recommendations include a) headphones b) some quiet downtime c) fullscreen. Also, afterwards, check out this mini doc below with the incredible artist. ALI SABET, describing the process of creating the artwork for the whole project.
This was a SABET + MIRS collaboration with its own very unique process, some of which is detailed in the video below.