Young Ali: those were the days is an offical selection of Bridge Video
Limited engagement starts in December.
(for more info, click on link above or image below)
World Cinema
Young Ali: those were the days is an offical selection of Bridge Video
Limited engagement starts in December.
(for more info, click on link above or image below)
Tickets now available for “Young Ali: those were the days” screening at Film Noir Cinema in Greenpoint, Brookyln on Wed Oct 9th, 7pm.
young ali: those were the days
what’s the ol’ sayin, “all good things come to an end”
looks about right…
though i’m stoked to be on the jury for the final year of 24FPS International Short Film Festivals. this is one of the first fests to showcase my work and one of the finest short film festivals in the world.
canadian author & photographer shawna lemay muses about “young ali” over at Transactions with Beauty
“Is the film trying to describe this singular time to others who had been lost in the fog or to those who were not lost in the fog? Both, I think. And isn’t that a feat? Young Ali is poetic and real, the eponymous character living and trembling as we all did, under that same old, silly old storybook moon. ”
young ali: those were the days has been nominated for the Cassavetes award and the Godard award at the Arthouse Film Festival.
you can still watch the film virtually till Jan 20th.
tickets avail here: Arthouse Film Festival
young ali wins "best indie film" at the Art Film Spirit Awards 2023. more info here:
young ali: those were the days wins best feature film at the berlin indie film festival
in the spirit of THREE WORLDS theatrical LA run at Laemmle Friday, August 4th-10th, there is a heavy discount on Vimeo on Demand for some of my work that is available on that service for people that are distant & or curious, or just chill like that.
not only THREE WORLDS but the 2018 sister film MAN and others….
this link will take you to the page….
w/ love & presence
hello. THREE WORLDS comes to Los Angeles, Friday, August 4th for a special one-week theatrical run.
tickets are available now on the Laemmle site so click here :)
if i thought about cinema differently, i would produce long-form in exacting intervals, but the blending of time into a creative act is essence
from outside, its no activity & then, massive activity, compressed time
from inside, a single movement
new szn starts
(multiples)
i’m happy to announce that my 2018 feature film THREE WORLDS is finally available worldwide on APPLE TV.
like much of my work, this is proudly not a film for everyone, nonetheless, everyone on earth should in fact buy it ;)
For the time being, I have four features available on the free streaming platform Tubi.
Just click to find WHALE, THREE WORLDS, MAN, & RAINBOW SEASON on this consolidated page.
I’m only slightly annoyed that some of my title cover art has been altered, but we move on….
Just a quick update I was alerted about a few days ago. Four of my feature works are now available on the US Streaming Platform Tubi, including THREE WORLDS (2018), MAN (2018), WHALE (2010) & RAINBOW SEASON (2019). Like most of these distro services, it is time-bound.
I believe Tubi is North America only, but, VPN, maybe….i dunno?
Cheers & enjoy the beautiful day my friend….
A funny thing happened a few nights ago that succinctly describes the plight of independent filmmaking and the practice of sending screeners. Let me preface that with this; one of the most rewarding aspects of filmmaking in the true independent sense is the process of self-actualization, a partially controllable condition. Now, the uncontrollable condition (everything after the creation) is that the farther a vision strews from established norms, the harder it becomes to attract a certain level of attention. This is woven into the classic gatekeeper paradigm.
Ok, back to the first sentence. Nearly two years ago, Chicago Film Critics Association member Ian Simmons was handed a screener to the film MAN (screening at Chicago at the time) by a colleague, he watched the first ten minutes of it and shut the screener off prematurely, writing it off as not his thing. Fast forward to a couple of nights ago, as he confessed this earlier sin on his “Kicking the Seat Podcast”, and now proclaimed that the film had, “blown his mind” while dedicating an entire episode talking about the film. A massive change of opinion nearly two years in the making, done in a transparent, respectable & honest way.
This is the reality of artmaking and it is unavoidable when the access & context is not in place. One cannot demand that people pay attention to your work. But it is always the artist's responsibility to tell what needs to be told, in the only way that one can.
Time takes care of the rest, not in the sense that people will come around, but in the sense that ultimately, it never really mattered in the first place.
Here is the link to the Kicking The Seat Podcast in which MAN is given a positive, newly minted spotlight in the eyes of one critic.
And below, a link to watch on our preferred platform.
Our producer Charles Borg hosts IFP CHICAGO’s “Filmmakers Friday” on Friday, November 9th at 4:30pm where we present both THREE WORLDS and MAN, followed by a Q/A and mixer.
On November 14th, at 5:15, MAN screens at Tribeca Flashpoint Chicago at the “Screening Room” followed by a discussion.
Both events are free to the public.