Amir Motlagh

return to sender

return to sender
edition 1/1
5Ξ

This is my latest work to present itself as an NFT. I want to build some context as I move forward in this space and in general about how our world is transforming right before our very eyes.

We often miss the macro transitional moments in life, as these changes are gradual and thus, invisible. When we look back, life seems to never have existed without the iPhone nor YouTube, and as a whole, the internet itself. Monumental changes like these felt mostly discreet. There has been a toylike weirdness to some of the world-changing tech of the last couple of decades leading to a generally benign stance, maybe even a general optimism at their initial emergence into the consumer fold.

Occasionally, we witness the transition in a non-discrete way. To me, crypto and NFTs have never felt invisible nor have they had a grace period leading to the water cooler. Like much of everything else in modern society, polemics have formed around these emergent technologies and markets. There are strict, cult-like adherents & equally strict, dogmatic opposers. We witness this right before our eyes & ears. Social media is where these culture wars are fought day in and out. The invisibility of this transition, if there ever were to be one, was made completely visible by its timing with the ongoing two-year pandemic, which contributed second-order effects that propelled these technologies to the forefront of everyday life. One can argue that crypto itself has had years to mature in the shadows, however, just looking at modern UI & ease of use, it is still very much underdeveloped in relation to its outsized influence.

While artists must have a fearlessness and moral backbone, it makes no sense to hold dogmatic positions on things that are nearly impossible to comprehend where we currently stand. We are in this stage, a fork in the road, both leading to nowhere, everywhere, and most likely, as it relates to human nature, the same exact place. Time will reveal the truth, but for now, connect where you can is a simple heuristic the artist might follow. They may also feel dissonance at this tech, and they have every right to not engage. I don’t need to convince anyone of the merits, a bit of tinkering did it for me.

This brings me to my own work and justifications for bringing it into the digital. Art is an experience, communication & connection medium. In its origin point, the value lay as a descriptor of the experience of life itself. This is a priceless act and one that is without utility. We could not create trees themselves, thus we did the next best thing. This ideal still lives in the heart of most creators & outside of purely creating, human connection is tantamount.

My aim is simple, connect with those that want to connect wherever their preference may be; physical, digital, even the metaphysical. I don’t want to arbitrate this position, instead, I’m content as a human using my hands to draw beasts in a dark, enigmatic cave.

So, my pledge is simple….to keep creating new work. To work in the mediums that inspire, to never be afraid of the creative act & to reevaluate at any moment.

Now, here is “return to sender”. This is one of my favorite pieces. It tells the story of life as a mirror. It is a 1/1.

0xcandyflipmedaddy 1/1 Mixed Media NFT

I just dropped a new 1/1 piece on the OpenSea. It’ll find a home when it needs one. You can purchase it here (I might consider a fair bid but I’m not in any particular hurry…that said, anything is possible ;)

Description:

"0xcandyflipmedaddy" is a neon journey through a thin line between layer 0 & layer 1. where dreams are birthed, where ghosts haunt, where love is lost, found & recycled.

edition 1/1

0xcandyflipmedaddy
edition 1/1
.77Ξ

Extensionism Origins Volume 0 - Genesis and the future

Hi friends, this has been an extended silent period, but only on the surface. Under the hood, lots going on, but we will get to that in another entry.

My identity, the one that has identified itself as myself is that of a creator - I have been crafting works, in multiple mediums, exhibited at galleries, film festivals & microcinemas for years, and with this windy trail, I’ve always held a staunch focus on ownership. In the last few months, I’ve been thinking of what to do with works that have not found homes or were never intended to find homes. Art is many times an act of nothingness from nothingness, a commitment to the now, by extension, a nonexistent future. When we sober up from the trance, we occasionally think of what now occupies my thoughts.

Keeping my works in a vault is an act of unnecessary attachment, even if demand does not exist. They need a chance to breathe on their own, an untethering if you will. My process has always been forward-oriented so things get forgotten, left in an attic once the wheels start turning again. This is not fair to that which is a consciousness of its own. With newfound clarity, I believe these works desire new homes and at the least, a chance to find independence in semi-permanency.

While I work on the new material, I am releasing some of these spontaneous or archived pieces to make their way onto the internet, locked on-chain. This gives me an opportunity to connect, and also keep my process going.

I have several projects that will go live in the coming months. But first, some 2D art from a collection titled Extensionism Origins Volume 0. There is one genesis piece that was put up as an NFT months prior titled MIKASA 2021, just to test the system. I had no idea what, and if I would pursue this space, full of reservations & equally deep in another project.

I know the arguments against NFTs (& crypto in general) but they do not hold up in my opinion. Not after my own personal alpha/beta involvement, skin in the game & witnessing the joy of community & fun. There are plenty of negatives, of course, they just do not outweigh the positives at this time. We live in a world swallowed by controlling megacorps, but for these few months now, the dream of an alternative has blossomed. A dream is good enough for me. The return of fanzines, access & possibilities.

While the OG genesis piece MIKASA 2021 sits as a 1/1, I will start releasing new drops before the other media goes live. These will not be 1/1’s, but a low edition number with low prices. I want people to access them if they desire, & profits feedback into the lab. For one, I have a feature film that is in post that needs additional funds for finishing. I have a record in post that will benefit from additional funds for finishing, and that is how it goes when you own your work. Fundraising never stops.

My hope is of course that the works are supported & I know that I would have to prove that value in time, but, ultimately, it is a process of letting go. It’s a difficult step to take, shooting as it were into the void. Ultimately, the release signifies a movement away from the past, a rebirth.

With that said, below is <\> ~ = duplicate extensionism, an edition of 5 as an NFT.

why so quiet....

a) new feature-length film (“y.a.t.w.t.d”) about to enter post prod
b) secret something else that I’ve had to remain silent on
c) 2021 NFT collection….a very small handful….this was the first piece uploaded (Mikasa 2021) to learn, was not yet avail but the NFT super artist Ali Sabet found it, made a bid & encouraged me to go forth…so, I will make exceptions for a collector with the right bid before the rest of the small 2021 collection goes live.

Mikasa 2021 - NFT edition Edition 1/1 Open to Bids ( .844 ETH for bid consideration ) Exclusive Limited Collection for 2021….a handful of originals only.

Mikasa 2021 - NFT edition
Edition 1/1
Open to Bids ( .844 ETH for bid consideration )
Exclusive Limited Collection for 2021….a handful of originals only.

"three eleven zazen" now available as a standalone audio track

The release of my latest work “three eleven or (a meditation on stillness inside chaos)” includes a single track 33min 11sec composition titled “three eleven zazen” that is now available as a standalone purchase.

You can pick it up now for $5 USD on the ANIMALS Bandcamp. I think it’s best to experience the film first, but I cannot dictate my preferences in the digi space. Do as you wish my friend.

This marks the first time I’ve used my full name on a commercial music release.

The film is below. The soundtrack is below that (just click the image).

love in the great uncertainty

“mirs experiences love loss during the beginning of a great crisis period.”

written & directed by Amir Motlagh
produced by Charles Borg, ANIMALS, Amir Motlagh
music by Mirs

ep available only through Bandcamp:
https://mirs.bandcamp.com/album/love-in-the-great-uncertainty

tracklist as they appear:

soma (demo2044)
minima (demo2020)
namu (demo1984)

below are links to Youtube & Vimeo. under that is the link to the EP.

Cooking with my Baba Jaan

Hi friends, this is a personal post. My father, Yousef has been dreaming of opening a restaurant for quite some time. We decided that another way to fulfill this dream is to share his kitchen with the world, and so, he made a cooking show on Youtube. It’s Persian centric, it’s wholesome, it’s relaxed, it’s a bit like mediation.

Please consider subscribing, liking and commenting, and of course, please pass it forward! Click the image below.

Love ya’ll
AM