Its a work in progress. What is under you, are all relics. I wanted to erase the past, but I had heard somewhere that the internet never forgets. Well, if thats the case, why not indulge in it?
Please be back to see things blossom, right before those eyes.
Whale will be available to watch on "IndieFlix" starting Tuesday, June 22nd. A week later, it will go live on "Youtube Rentals".
As far as other choices go, you can check it out on DVD, or Video on Demand and instant streaming on Amazon right now, with either a rental option or an instant streaming option, both with prices that are unfair, between creator and consumer. You guys win.
With the DVD launch in progress, WHALE screens at the Independent minded film festival screening series, Indies for Indies. Indies for Indies is curated by Lucas McNelly, talking the freshest films from the Independent film circuit and screening them at the Hollywood Theater in Dormont Pennsylvania.
This is the perfect type of supplemental screening opportunity to further support my newer ideas towards releasing WHALE and possibly other projects. As I focus more towards the DVD and digital distribution options, screenings further support my main objectives. I am not relying on the festival first, then see what happens method. Those were my ideas previously, but as I spent more time finishing the project then I ever expected, I felt no need to further delay the existence of the film. Its here, if you want it, you can buy it. But, you can also see it screened if you are in the right place, at the right time. I'm hand choosing where this film goes, no blind festival submissions. Why lose money? Why not make money? The economic and industrial world we live in is a bit different, so why really on the same old approaches? Is it because it worked for so and so in the past? Well, fuck that, every case is different, time has passed, so I'm opening up to new possibilities, and so far, so good.
Also, another reason Indies for Indies is a fascinating case study, is that the festival proposes to give back some of the box office to the filmmaker. Now, isn't that a novel idea, one in which should have been implemented 10 years earlier. I applaud these types of positive approaches to the stagnate film festival infrastructure. Whether they work or not isn't the final question, but whether people have the initiative to try to do something different, something vital to resurrect a dying form which is losing younger audiences daily. Indy film will start to be vital again when filmmakers stop thinking they are Quentin Fucking Tarantino or Kevin Smith, and make work which truly speaks to their generations now. That's what was going on with Tarantino and Smith in the nineties. There was personalty, a fuck you attitude, a vision. Look at how loyal audience fan base were. Think about how Harmony Korine spoke to millions of young adults his age. People gave a shit then, they really did. And most importantly, it was the youth who admired the auteur. Nowadays, we lost them to Avatar and the newest Vince Vaughn comedy (not making a judgment on the quality(in fact i really was quite taken by Avatar), but on the fact that values have changed). Indie film nor the arthouse is hip anymore culturally, lets face the fact. But that doesn't mean that it cannot be again. Lars Van Trier proves the case, with personality, insight, radicalism, and again, a fuck you attitude. Hate the guy, or love him, you cannot deny the magnetism he draws on the form. He makes you go see the work. Of course, I'm talking about the little guys right now, who, if you support them, can grow into the next generation of filmmakers who speak directly to you, the audience. A stale, dying infrastructure will only drown the voices without peoples support.
So, get to work, and support films which speak to you. Support them the same way you support bands that you love. Go buy their shit, ask your local "arthouse" theaters to bring you new shit, make your own screening series of indie films at your local bar, or your own house. Indie film nights, coming straight to the couch. Buy some obscure DVD from someone you heard about, then invite a bunch of people for drinks and enjoy the night. Stop being a critic, a cynic, a negative asshole. Be good, be kind, be helpful. And last but not least, go see WHALE, or buy the damn DVD!
The film is officially finished. I have written a little response over at the WHALE site, blog, http://www.whalethefilm.com stating the reasons for the delay.
Of course, as in all things in life, a bit of sidetracking becomes a necessity of survival. The final version of the film has only been seen by a tiny fraction of society, and as i outline my plans, it will remain a bit undercover. Whether the film gets any sort of public screening is not at all my concern nor my wallets, and I mean this in a very sincere, non egotistical and realistic way. Sometimes we get to a point where the idea of a curator becomes anathema to the soul, know what I mean?
No, ah fuck it, well, what I mean to say is that I want to make the film available to people who want to see the film, with or without any sort of middle man, and in a very timely and efficient manner. Life is too short to wait, or hold out, or vice versa. This project is very personal and took about four years to conceive, and because of that, another year of speculation is too long and the theoretical net gains might not be enough, nor can it ever be enough.
So, in a bit of time (short), the film will become available through DVD, VOD and digital downloads. An unofficial DVD might be available now if you contact the right person (amotlagh@gmail.com), emphasis on might, or right?
As for festivals, well we shall see. I might send this out, or I might not. I'm sure some think that this is the only path for a small lil ol Indie as I once did, but I don't really anymore. It is certainly a viable path, but not the only one, and nobody should feel trapped by ambiguities toward audience building. The road these days is not paved, and neither is the mapping of the routes, no matter who tells you or wants to sell you a solution. The field is fucking wide open. Localizing your goals might be the future as the market becomes more and more niche.
This is my rebellion of sorts, an idealistic belief that rather content works for people or it doesn't, and if it does, similar types will seek it out. If it doesn't, maybe later it will, but you still have to make it available if you believe in the nature of the work you do. And if these be the truths, then let nature take its course (cue the Beatles).
Hears hoping to word of mouth, longer shelf life's, and utopian naivete. But, do you remember a time when things were only available if somebody other then the creator said so? Yeah, that was so a few years ago.
So this week I've been up to my neck in doing interviews for WHALE, which I shall post shortly.
But, first on the agenda, I was invited to be part of a roundtable panel discussion by Alejandro Adams for his site BrainTrustdv(who is one of the recent interviewers) on DIY distribution versus the traditional infrastructure in place now.
The panel includes many different points of view from a wide array of people making independent films today.
Did a new interview over at OC Arts & Culture Magazine. Taken straight from the site:
"Evan Vincent: Please tell us more about yourself, your background, education and what you do.
Amir Motlagh: I am a filmmaker, more specifically, a film director. Initially, I started as an actor, spent a few years getting professional training (Stella Adler, Meisner, Strasburg etc.), then one day, came up with an idea for a film, got a few people together to help, hustled my way into some equipment, and made my first film, Dino Adino in 2001. That was the start of a long love affair with media creation. At that point, I also had a BA in Psychology from UCLA. In some strange misguided way, I thought that this would help me be a better actor. After another five films, some success, some failure, I went back to school to get an MFA, specifically in directing, at Chapman University, mostly to better understand the process of film directed, not just my way, but also in a way that’s been established through a hundred years. Education, any way you can get it, can only help motivated people grow as artists; that’s the bottom line. But of the same token, if I were to listen to everything that they feed you at film school, I would never make another film again. Thankfully, that didn’t happen to me. And, at this point, I have made ten films, which have played all over the world.'
To catch the rest of the article, please swing over here:
Second on the agenda is this little item regarding "whale":
Taken from 1 Way Presents, we have this interesting tidbit regarding "whale"
"There is an exciting use of photography that is as cinematic as any of the footage. The music is emotionally driven and the realistic dialogue only takes second place to great characters. Whale comes in at a trim 75 minutes and though I wanted more, the pacing was perfect, the ending was excellent! The highlight of the film, for me, was the skateboarding footage. Recalls to mind, some of the beautiful skateboarding photography in Gus Van Sant's "Paranoid Park". This is a film that I am proud to have seen early and am sure is going to be well received by the indie film community as a fresh new voice, in a seemingly outspoken indie film community."
To read the rest of the article, please peruse this useful link:
The first write up regarding whale, my new feature film over at the DIY Filmmaker blog. Sujewa Ekanyake has been a supporter of my work from the early days, but he has also been some what critical at times (knock. knock.), which is why I am still interested in his impressions (and also for the fact that he has no stakes in this picture whatsoever).
Couple this with the fact that he is one of the loudest and most keen supporters of the DIY scene (and knows it inside and out). For my part in the DIY world, i have always kept the stance that, DIY for me is only a method, or technique of filmmaking. I do not prescribe to the principles necessarily(if there ever was some), and have, in fact been quite uncomfortabe with the scene and labeling in particular. If DIY is void of any craftsmanship, history, technique, acting or not, then i want no part of it. If however, it is a true experiment in form and content, and another way to give voice to an otherwise voiceless group, then by all means necessary(meaning, i'll consider it). The duplicity seems to lie in all the debates thus far. As far as I'm concerned, the underrepresented train of thought has unfortunately gone over everyones head. This shit aint affirmative action. Its pro-action, thats been underrepresented.
Now back to what this website is about anyways, self promotion, so without further ado, a few short excerpts from the longer post regarding whale,
"The acting/non-acting is so flawless Whale appears to be a blend between documentary footage and a foreign/art house project.
"At one point during the movie I thought to myself that this kind of thing must be what most "mumblecore" & other twenty something indie films are after - a direct revelation of their reality/personal experience presented in a way/format that outsiders may be able to connect with - but, whereas most mumblecore movies feel very unrealistic & narrow in the world that they are able to re-create on the screen, Whale feels "more real", oriented more in the general direction of universality & is funny."
"I can very comfortably say that Whale is one of the most exciting & well made indie films I've seen in a while...creating an interesting/reflective image of ethnic & economic diversity in America."
For a reading of the full post, without all the tid bits that i enjoyed the most, go here.
I am writing the full directors statement, working on the website, and making the plans. For now, enjoy the trailer and the super quick promo, together in one place. Please host elsewhere if you feel so inclined.
whale, a film in 5 chapters is finished (it took over 3years). I have a ton of updates, putting together my plan and many things in the works(including the whale website), but for now, you can enjoy this super quick promo.
Info: Distributor: Movieola-The Short Film Channel & AYA Films Premiere: Hells Half Mile Film and Music Festival, Oct 2008
Synopsis: Cy, an Iranian American indie rocker drops into the city he grew up in while on tour, to visit the family he could have had. Thing is, life's never so easy, even when you're in a rock and roll band.
Crew: Written, Directed and Starring Amir Motlagh Producers: Joshua Virnick, Amir Motlagh Cinematographer: Zamir Kokonozi Production Design: Tom O'Connell Sound Design: Brock Carter Music: Shanks and the Dreamers
Cast: Amir Motlagh Kindy Barr Nadia Anwar Art Toussi Tom O'Connell Rami Askar Kristen Penza Joshua Virnick
To be honest, this has been a relatively strange time for me. I just finished releasing an album, and am about two days away from finishing my first narrative feature that has been three years in the making. In between time, i have been very busy as usual.
But i have wanted to make some changes in pattern, and in all honesty, believe that i have been behind the curve on the internet for quite some time. Maybe i have been to busy, but probably i have been to near sighted.
I finished a film in 2008 called Plain Us. It premiered at the Hells Half Mile Film and Music Festival in Oct. A few weeks after, it was solicaited by Movieola-The Short Film Channel for broadcast rights in Canada. This was very early in my usual cycle to go for this type of deal. I thought about other screenings and festivals and the usual pattern that films "must" go through.
But this time, instead of thinking it over long, i signed away on the contract, thinking that broadcast, the internet and a non-exclusive contract was best, and the sooner the better.
This time, i don't have the time nor the money, nor energy to dive all my resources into the festival thing. The "what if's" is not something i want to experience right now. I have been there, done that, and in the end, want to try something else for once.
I am coming on my 8th year as both a professional, and at many times amateur filmmaker, and i have put in my dues. So, without further ado, i present Plain Us, in full, for free on the web. Watch it, enjoy it, hate it, love it, be indiffent, but please send it to someone else, many people else.
Also, it is 24 minutes long, so take a deep breath from your twittering, and sit back.