Music Video

leaving projects behind or always finishing.....

I recently picked up footage from a shoot we did over a year ago. We had some hiccups immediately during post, mostly because the world we were going to build in the box was a bit too complicated and time consuming without a larger team. This was an in-house production, so we aimed high, but the cost analysis did not add up.  A little after that realization we actually continued forward with some progress, but life got busy and other important priorities took over.

Now, this happens now and again. Personally, I just move forward without the burden of the past. If the ship is moving, why hit the brakes?

However, deep down, I'm often bothered by projects left to burn in their own ashes. Mostly because other people put in the time.

This is different than long term projects that are continuous and take time because of aesthetics, strategies or just out of necessities. I'm specifically talking about projects abandoned. Nine times out of ten, these are just scripts, treatments or half baked ideas that get pushed aside for newer scripts; but every once in awhile, its actually raw footage being tossed. You took the time to write something, got people together, and you shot the damn thing, and without any hesitation, you just threw it away. 

But here is where everything gets tricky. We are in the throes of "content world" now. Everything counts. The golden goose, and the piles of trash. They all have utility, serving the purpose of fulfilling the highs and lows of our culture. The stream of life is not historical. The origin story is now. Do you have enough material to feed this voracious monster?

With that in mind, I just salvaged some visuals locked away in harddrive hell.  Conceptually, the idea has changed, I'll be honest. But, the adjustment actually makes more sense now, since it's more in line with a certain creative process I'm dealing with, NOW.

Here is a still from the upcoming MIRS TAKE AWAY visual. The record is two years old and the footage, recently rescued from the depths of a harddrive in Burbank California, is over a year old. Who the fuck would know if I didn't say anything anyways.

Visuals from MIRS TAKE AWAY

Visuals from MIRS TAKE AWAY



MIRS - Fall (birds)

Artist: MIRS
Song: Fall (birds)
Album: Spin Cycle

Director: Chris Castillo + Amir Motlagh
www.amirmotlagh.com
Produced by ANIMALS

Vamp: Samantha Robinson

Special thanks:
Sean Gillane (moth animation)
Gabe Pagtama (gaffer/grip)
Abe Pagtama
Rey Deegan
Rory Roach

MIRS is featured in the upcoming movie Los Angeles 7
http://youtu.be/suFLPNPMtD4

More information on MIRS and to purchase or download Spin Cycle:
www.mirsmusic.com
www.mirs.bandcamp.com
www.soundcloud.com/mirs
www.insound.com/Spin-Cycle-CD-MIRS/P/INS92427/
itunes.apple.com/us/album/spin-cycle-ep/id405148227

Lyrics:

I want to sit outside tonight
taken in all the air from everywhere

Actually I want to hide tonight
blanket in all the cold inside my heart

Why do you treat me so bad
Is it because you think I’m wrong
because the birds want to eat your little bones

Why do you treat me so bad
Is it because you think I’m wrong
because the moths want to to eat your arms

I’ve driven down this road in the moonlight
I’ve seen all those peculiar sites
Makes we want to run, I want to get away from everyone

Its another night in the frozen cold
I’m a beast, I’m a lost soul (2x)

Free me so I can go (so I can go)
Hate me so I can go (so I can go)
Use me so I can go (so I can go)
Kill me so I can go (so I can go)

Running running running running (repeat)

written by Amir Motlagh (MIRS) © 2010

© 2011 ANIMALS

 

 

MIRS "Spring (bombs)" music video

This is the just released music video (first of four) for the track Spring (bombs) of the MIRS Spin Cycle ep.  Usually, I don't go into the behind the scenes stuff, but I do want to frame this, so that it has some contextual backdrop to work from.  Initially, the video was going to be some elaborate live action piece, with some "familiar face" as the lead.  But the production was endlessly getting pushed back, weeks and weeks with no end in sight.

Now, at the same time, I had been thinking of another visual treatment, one that I had always considered more central and "authentic", but was hesitant to follow through because of this larger scale production which was already in movement, and also for the very fact that this idea lacked so called production value.

But instead of delaying yet again, and in reference to this track in particular being at times labeled as Chillwave (a genre that I was never fully aware of when I was recording this) I decided to trash the production, and go with my more honest instinct.  The general trends in music videos now(especially in these genres) is the feeling or mood of nostalgia.  But usually as it applies only in meta feeling, not in actuality, since most of these musicians weren't even born during the visual time clock that the images represent.  And the other type of nostalgia based music video of late is the home-movie aesthetics but with a clear cut narrative, rendering it to skillful artifice and craftsmanship. (ie: Mark Ronsons' I Need Somebody to Love Me" video).

So, given these distinctions, I wanted to cut of the oxygen to those particular forms of nostalgic pandering, and so I came up with this.  This is actual footage, taken many years ago, at the second renaissance of break dancing.  It includes myself, and several of my friends, when we were in a crew.  The only narration is the actual "session".  Pairing it up to the music, it renders the scene wholly different, and in my opinion, gives the music its own unqiue breathing space as well.