"Pulsing with a Restlessness of Purpose and Vision"

New interview I did over at Alejandro Adams BrainTrustdv...


"Amir Motlagh sets out to eradicate “division of labor” filmmaking with whale, an elliptical work pulsing with a restlessness of purpose and vision. Motlagh and his film wear a love-hate relationship with mumblecore on their respective sleeves—a condition which seems, ultimately, inevitable. In the following interview, Motlagh discusses the overwhelming pressures of the Internet and the increasing irrelevance of “ethnic identity” films."


Read the rest here:

http://braintrustdv.com/wordpress/interview-amir-motlagh/


Distribution Panel Discussion and Plain Us Screening

So this week I've been up to my neck in doing interviews for WHALE, which I shall post shortly.


But, first on the agenda, I was invited to be part of a roundtable panel discussion by Alejandro Adams for his site BrainTrustdv(who is one of the recent interviewers) on DIY distribution versus the traditional infrastructure in place now.


The panel includes many different points of view from a wide array of people making independent films today.


Check out the read and please comment here:

http://braintrustdv.com/wordpress/roundtable-self-distribution/


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Also, on Saturday April 25th, Plain Us screens at the newly restored Pomona Fox Theater as part of the Smogdance Film Festival. Show starts at 7PM


To view the Plain Us listing, go here:

http://www.smogdance.com/2009/motlagh.html


To view the 2009 festival lineup, go here:

http://www.smogdance.com/2009.html


Article at OC Arts & Culture Magazine, and another "whale" impression

Did a new interview over at OC Arts & Culture Magazine. Taken straight from the site:


"Evan Vincent: Please tell us more about yourself, your background, education and what you do.


Amir Motlagh: I am a filmmaker, more specifically, a film director. Initially, I started as an actor, spent a few years getting professional training (Stella Adler, Meisner, Strasburg etc.), then one day, came up with an idea for a film, got a few people together to help, hustled my way into some equipment, and made my first film, Dino Adino in 2001. That was the start of a long love affair with media creation. At that point, I also had a BA in Psychology from UCLA. In some strange misguided way, I thought that this would help me be a better actor. After another five films, some success, some failure, I went back to school to get an MFA, specifically in directing, at Chapman University, mostly to better understand the process of film directed, not just my way, but also in a way that’s been established through a hundred years. Education, any way you can get it, can only help motivated people grow as artists; that’s the bottom line. But of the same token, if I were to listen to everything that they feed you at film school, I would never make another film again. Thankfully, that didn’t happen to me. And, at this point, I have made ten films, which have played all over the world.'


To catch the rest of the article, please swing over here:

http://ocartsandculture.com/2009/04/reel-people-amir-motlagh/


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Second on the agenda is this little item regarding "whale":


Taken from 1 Way Presents, we have this interesting tidbit regarding "whale"


"There is an exciting use of photography that is as cinematic as any of the footage. The music is emotionally driven and the realistic dialogue only takes second place to great characters. Whale comes in at a trim 75 minutes and though I wanted more, the pacing was perfect, the ending was excellent! The highlight of the film, for me, was the skateboarding footage. Recalls to mind, some of the beautiful skateboarding photography in Gus Van Sant's "Paranoid Park". This is a film that I am proud to have seen early and am sure is going to be well received by the indie film community as a fresh new voice, in a seemingly outspoken indie film community."


To read the rest of the article, please peruse this useful link:

http://onewaytv.blogspot.com/2009/03/whale.html


First impressions "whale does not disappoint" and really, why should it?

The first write up regarding whale, my new feature film over at the DIY Filmmaker blog. Sujewa Ekanyake has been a supporter of my work from the early days, but he has also been some what critical at times (knock. knock.), which is why I am still interested in his impressions (and also for the fact that he has no stakes in this picture whatsoever).


Couple this with the fact that he is one of the loudest and most keen supporters of the DIY scene (and knows it inside and out). For my part in the DIY world, i have always kept the stance that, DIY for me is only a method, or technique of filmmaking. I do not prescribe to the principles necessarily(if there ever was some), and have, in fact been quite uncomfortabe with the scene and labeling in particular. If DIY is void of any craftsmanship, history, technique, acting or not, then i want no part of it. If however, it is a true experiment in form and content, and another way to give voice to an otherwise voiceless group, then by all means necessary(meaning, i'll consider it). The duplicity seems to lie in all the debates thus far. As far as I'm concerned, the underrepresented train of thought has unfortunately gone over everyones head. This shit aint affirmative action. Its pro-action, thats been underrepresented.


Now back to what this website is about anyways, self promotion, so without further ado, a few short excerpts from the longer post regarding whale,


"The acting/non-acting is so flawless Whale appears to be a blend between documentary footage and a foreign/art house project.


"At one point during the movie I thought to myself that this kind of thing must be what most "mumblecore" & other twenty something indie films are after - a direct revelation of their reality/personal experience presented in a way/format that outsiders may be able to connect with - but, whereas most mumblecore movies feel very unrealistic & narrow in the world that they are able to re-create on the screen, Whale feels "more real", oriented more in the general direction of universality & is funny."



"I can very comfortably say that Whale is one of the most exciting & well made indie films I've seen in a while...creating an interesting/reflective image of ethnic & economic diversity in America."


For a reading of the full post, without all the tid bits that i enjoyed the most, go here.


Plain Us in full view

 
First film: Plain Us_24minute film
Then info
Then explanation


Plain Us_full short film by Amir Motlagh from Amir Motlagh on Vimeo.

Info:
Distributor: Movieola-The Short Film Channel & AYA Films
Premiere: Hells Half Mile Film and Music Festival, Oct 2008

Synopsis:
Cy, an Iranian American indie rocker drops into the city he grew up in while on tour, to visit the family he could have had. Thing is, life's never so easy, even when you're in a rock and roll band.

Crew:
Written, Directed and Starring Amir Motlagh
Producers: Joshua Virnick, Amir Motlagh
Cinematographer: Zamir Kokonozi
Production Design: Tom O'Connell
Sound Design: Brock Carter
Music: Shanks and the Dreamers

Cast:
Amir Motlagh
Kindy Barr
Nadia Anwar
Art Toussi
Tom O'Connell
Rami Askar
Kristen Penza
Joshua Virnick

Technical:
Shot in 35mm, DV Intro

Aspect
1:85:1

Total Run Time: 24minutes
©AYA Films, Amir Motlagh
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Explanation:

To be honest, this has been a relatively strange time for me.  I just finished releasing an album, and am about two days away from finishing my first narrative feature that has been three years in the making.  In between time, i have been very busy as usual.

But i have wanted to make some changes in pattern, and in all honesty, believe that i have been behind the curve on the internet for quite some time.  Maybe i have been to busy, but probably i have been to near sighted.

I finished a film in 2008 called Plain Us.  It premiered at the Hells Half Mile Film and Music Festival in Oct.  A few weeks after, it was solicaited by Movieola-The Short Film Channel for broadcast rights in Canada.  This was very early in my usual cycle to go for this type of deal.  I thought about other screenings and festivals and the usual pattern that films "must" go through.

But this time, instead of thinking it over long, i signed away on the contract, thinking that broadcast, the internet and a non-exclusive contract was best, and the sooner the better.

This time, i don't have the time nor the money, nor energy to dive all my resources into the festival thing. The "what if's" is not something i want to experience right now.  I have been there, done that, and in the end, want to try something else for once.

I am coming on my 8th year as both a professional, and at many times amateur filmmaker, and i have put in my dues.  So, without further ado, i present Plain Us, in full, for free on the web.  Watch it, enjoy it, hate it, love it, be indiffent, but please send it to someone else, many people else.

Also, it is 24 minutes long, so take a deep breath from your twittering, and sit back.

With Luv,
AM/FM 

knock. knock., Neil Hamburger, postmodern thought, and Saturdays show

knock. knock. movie still

On Saturday Nov. the 15th, 2008, which is tomorrow, i screen a little short film called knock. knock. at The Cat Hotel in Burbank, before a comedy performance by Neil Hamburger (staple on Drag City Records, Poolside Chats on Tom Green's internet show, Jimmy Kimmel Live, toured with Tenacious D).  Now, when I'm writing @ The Cat Hotel, i mean it in a literaly sense.  Its not only the name of the space, but its oddly and logically enough, a luxury boarding house for cats.

This is a strange, strange scenario indeed.  To take matters further, the main lead in knock. knock. is a friend of mine, Chris Manz.  Chris Manz in real life does an internet comedy show named The Chris Manz Show.  In the film knock. knock. the character Chris, played by Chris Manz, is a comic who host's an internet comedy show called aptly enough, The Chris Manz Show. 

I commented on this once before.  Did the film come first, or the show.  I think the idea's were birthed at the same time.  So, in a sense we get a little romantic comedy that is in fact, a little postmodern.  When i first screened the intro to people who didn't know my work well (and remember this film is over a year old now) they thought it was a documentary.  Others who are familiar with how i make films generally understand that its part of my filmic language, well, some of the time.  But like everything in life, we change, adapt to new syntax, and evolve.  So am i working a style?  Thats not really a question i'd like to delve into now.  One question answered at a time, and there is time for everything, right?

Ok, now can a little comedy-romance be postmodern.  Of course silly.  Just take a look into the context for clues.  This is all a valid discussion for Sat, because our anti comedian Neil Hamburger has been labeled as a postmodern comic.  One can say that the title of a film called knock. knock. as a comedy is a postmodern act alone.

But i think that both Neil Hamburger and knock. knock. are steeped in ironic self-reference and in Neil's case, certainly absurdity.  So, without further digression...

See you Saturday @ The Cat Hotel in Burbank.  A crazy cast of characters will be there including industry guests, and its only an RSVP event, so here is the info if your in LA and interested.  Show starts at 9PM

Taken directly from Neil Hamburger's myspace page:______________________________________________

In little over a week, I will be performing at a "cat hotel" in Burbank to an audience of mostly cats.

There will be space for a few human beings to attend as well. As this is a cat kennel, alcohol will not be served, though cookies, coffee, and cat food will be available to patrons.

Rescued cats will be available for adoption. Admittance to this unusual show will be a mere $7 suggested donation. Prior to my performance, the cats and humans will be shown a short film written by Chris Manz, entitled "Knock. Knock."

Here are all the details for the event:

Sat. Nov.15 9:00PM 
The Cat Hotel 
1807 W Magnolia Blvd.
Burbank, CA 91506

You will need to RSVP, as space is limited.
RSVP to chrismanzshow@gmail.com

______________________________________________________________________________________________________

And now here are two clips from the film to consume. 

For further enquiry on knock. knock. sales, please give me a shout or contact the distributor Ouat! Media

Clip 1: Chris tries to convince Sharon the actress that his show is a worthwhile way to spend an evening.

[youtube]http://www.youtube.com/watch?v=2BywRjRwdMg[/youtube]

Clip 2: Chris and Karla hang out "on top of a parking structure"

[youtube]http://www.youtube.com/watch?v=00quK9-RYjs[/youtube]

 

 

 

 

New "The Photo Journal" feature on the site..

So I'm adding a new feature on this site called, "The Photo Journal".  I understand that its hella clever in the Bay Area sense, but i'll be updating whenever i get a chance, and when in fact at least a week or several have past.

The page is located on the sidebar (pages section).  So after this first preview, i'll only link to it from this point on.  Maybe not.

So, without further verboseness, this is the first edition, November 2008.

Shanks and the Dreamers live at Evocal  11-04-08

Shanks and the Dreamers

 

On stage with Dubfire_Nocturnal 2008

Dubfire_Nocturnal 2008

 

Before playing, 11.04.08

Mr. Amir Motlagh

In the "small" Studio_ I keep my mutherfukin sunglasses on in doors..

cuttin it up meng