the bandcamp embargo for the recent demo ep has lifted.
you can stream “love in the great uncertainty” on your preferred platform.
the bandcamp embargo for the recent demo ep has lifted.
you can stream “love in the great uncertainty” on your preferred platform.
“mirs experiences love loss during the beginning of a great crisis period.”
written & directed by Amir Motlagh
produced by Charles Borg, ANIMALS, Amir Motlagh
music by Mirs
ep available only through Bandcamp:
https://mirs.bandcamp.com/album/love-in-the-great-uncertainty
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tracklist as they appear:
soma (demo2044)
minima (demo2020)
namu (demo1984)
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below are links to Youtube & Vimeo. under that is the link to the EP.
Not much to add to the current discussions except to wish you & your family health and well-being.
As most artists are currently not working & client load is zero, please consider buying directly from artists if possible.
Some sites to consider for more direct purchasing include Vimeo On Demand for films, Bandcamp for music, and of course, personal websites, yours included.
Wishing you well and talk soon.
As a further note, if for example, I cannot process an order immediately (photo or art print), I will get it to you as soon as possible, and appreciate the patience.
Wishing you well, and enjoy some photos from a new series below (any avail to purchase, just let me know. haven’t yet decided the print number or size yet, but they will be limited prints).
Hi friends, this is a personal post. My father, Yousef has been dreaming of opening a restaurant for quite some time. We decided that another way to fulfill this dream is to share his kitchen with the world, and so, he made a cooking show on Youtube. It’s Persian centric, it’s wholesome, it’s relaxed, it’s a bit like mediation.
Please consider subscribing, liking and commenting, and of course, please pass it forward! Click the image below.
Love ya’ll
AM
A funny thing happened a few nights ago that succinctly describes the plight of independent filmmaking and the practice of sending screeners. Let me preface that with this; one of the most rewarding aspects of filmmaking in the true independent sense is the process of self-actualization, a partially controllable condition. Now, the uncontrollable condition (everything after the creation) is that the farther a vision strews from established norms, the harder it becomes to attract a certain level of attention. This is woven into the classic gatekeeper paradigm.
Ok, back to the first sentence. Nearly two years ago, Chicago Film Critics Association member Ian Simmons was handed a screener to the film MAN (screening at Chicago at the time) by a colleague, he watched the first ten minutes of it and shut the screener off prematurely, writing it off as not his thing. Fast forward to a couple of nights ago, as he confessed this earlier sin on his “Kicking the Seat Podcast”, and now proclaimed that the film had, “blown his mind” while dedicating an entire episode talking about the film. A massive change of opinion nearly two years in the making, done in a transparent, respectable & honest way.
This is the reality of artmaking and it is unavoidable when the access & context is not in place. One cannot demand that people pay attention to your work. But it is always the artist's responsibility to tell what needs to be told, in the only way that one can.
Time takes care of the rest, not in the sense that people will come around, but in the sense that ultimately, it never really mattered in the first place.
Here is the link to the Kicking The Seat Podcast in which MAN is given a positive, newly minted spotlight in the eyes of one critic.
And below, a link to watch on our preferred platform.
“mirs wonders into the desert in search of an old friend.” (links below to Youtube & Vimeo)
Stream or buy the latest Mirs drop, fourxfour wherever music is peddled. Merci.
new Mirs
“fourxfour”
12/12
all platforms….
Mirs -fourxfour
to walk into, to breath out of.
mojave desert - nov 2019
“l i t t l e m o n s t e r s l i t t l e f r i e n d s”
Print run - Edition of 44 in various solid hues. (13”x19” - high-quality archival paper)
Original in black & white ink.
Message for info/purchasing.
l i t t l e m o n s t e r s l i t t l e f r i e n d s - 2019
l i t t l e m o n s t e r s l i t t l e f r i e n d s - 2019
Was recently a guest on CIFCC film critic Ian Simmons podcast, “Kicking the Seat”. My episode number, 471. You can listen/get info to it here: http://www.kickseat.com/podcast/2019/11/13/ep471-cinema.html
My friend Nima Rezai just launched a new project called CINIMA. We just released a collaborative single titled Rain (see post below) between his project and my ongoing music project Mirs.
We had previously worked together on CANYON (2016), though I had never performed that album live. Below is a chopped & screwed improv version of the track Sleepless from CANYON, filmed at Nima’s studio.
My most recent Mirs music collaboration just went live. This excursion, I partnered with my friend Nima Rezai and his newly launched project, CINIMA . We had previously worked together on the visual album CANYON. Further collaborative singles incoming.
Stream & buy on these platforms (& many more) below:
Clicked up in the studio with my friend & collaborator Nima Rezai (CANYON) recently as he’s launching his new project CINIMA. This is our first collaboration between our two projects, CINIMA & Mirs.
Our first single, “Rain” drops on all major platforms Oct 25, 2019.
Rain - CINIMA & Mirs
Rain - CINIMA & Mirs
The Julian DW Brink composed, original “Three Worlds” soundtrack is finally included into the Pandora Radio catalog. You can stream the original soundtrack now, and shortly, add the station so that it plays similar songs through the music genome project. (you can also own the record, among other places at the ANIMALS Official Bandcamp Page in full 24bit quality)
The score was mixed by Jake Jackson at Abbey RoaANIMALd Studio 2, London & mastered by Cicely Balston at AIR Studios, London.