MIRS "Spring (bombs)" music video

This is the just released music video (first of four) for the track Spring (bombs) of the MIRS Spin Cycle ep.  Usually, I don't go into the behind the scenes stuff, but I do want to frame this, so that it has some contextual backdrop to work from.  Initially, the video was going to be some elaborate live action piece, with some "familiar face" as the lead.  But the production was endlessly getting pushed back, weeks and weeks with no end in sight.

Now, at the same time, I had been thinking of another visual treatment, one that I had always considered more central and "authentic", but was hesitant to follow through because of this larger scale production which was already in movement, and also for the very fact that this idea lacked so called production value.

But instead of delaying yet again, and in reference to this track in particular being at times labeled as Chillwave (a genre that I was never fully aware of when I was recording this) I decided to trash the production, and go with my more honest instinct.  The general trends in music videos now(especially in these genres) is the feeling or mood of nostalgia.  But usually as it applies only in meta feeling, not in actuality, since most of these musicians weren't even born during the visual time clock that the images represent.  And the other type of nostalgia based music video of late is the home-movie aesthetics but with a clear cut narrative, rendering it to skillful artifice and craftsmanship. (ie: Mark Ronsons' I Need Somebody to Love Me" video).

So, given these distinctions, I wanted to cut of the oxygen to those particular forms of nostalgic pandering, and so I came up with this.  This is actual footage, taken many years ago, at the second renaissance of break dancing.  It includes myself, and several of my friends, when we were in a crew.  The only narration is the actual "session".  Pairing it up to the music, it renders the scene wholly different, and in my opinion, gives the music its own unqiue breathing space as well.  

News that is moments motivated.

Things that are happening now.  Right now.

1.  WHALE is now on Vimeo, Youtube and Dailymotion for streaming.  In fact, you can watch it from the comfort of this website.  You can also still purchase a DVD because hardware is more valuable then bytes.

2.  The interview I did last year for VOA's Shabahang show (The Late Edition) is now available to watch here.  The shorter version is also available on Youtube.

3.  MIRS is coming to Pandora.

3.  I did several interviews regarding MIRS.  When and if they go live, you can see it here.

4.  Insound is going to stock some of those limited MIRS CD's.  

5.  Khoobi (are you ok) is finished and awaiting some music clearance.  More infor coming real soon.

Khoobi (are you ok)

Slated as the first AYA release of 2011, Khoobi (are you ok) is at the tail end of post-production.  The picture is locked, and we just started the online edit (motion graphics, sound design, etc).  I've been blessed with an amazing team that I'm incredibly indebted too.  And a new member just joined, alleviating my final trepidations.

They all shall be named in the next update.

Looking at a May/June release, although, if I were to deliver it to the web first and forego the film festival route, I would predict a March release.

It's is a tricky world to navigate these days, but don't worry, I'll figure it out.

As for "what its about", well, just wait a bit.  Why spoil the fun.  I can say one thing with certainty; that in fact, I got my father to do old school hand drawn animation in one of the sequences.

Best
AM 

MIRS "Spin Cycle" available on Itunes and Amazon

MIRS "Spin Cycle" is now available on Itunes and if you are into collecting hardware, a limited pressing CD is available on Amazon for Pre-Order.  It officially comes out this Tuesday, the 23'rd of November, 2010.

While MIRS remains elusive right now, it won't be long before someone else tells you about it.  So, be the curator, the tastemaker, the leader of your crew.  Don't wait until someone else tells you what to listen to man.

 

 

MIRS "Spin Cycle" now available on BandCamp

Spin Cycle is now available on BandCamp, followed by a larger digital and CD launch Novemeber 30th, 2010.

Don't waste your fucking time here, go grab it before all the digital files are gone.  I would also like to make the case that you pick up the full EP instead of singles, because they are made to go linear, and because its pretty good. 

Also, with your purchase of the album, you get a PDF translation page that will come in handy soon.

 

MIRS "Spin Cycle" Release Dates

"Spin Cycle", the first release from MIRS comes out Tuesday, November 2nd on BandCamp as a digital only (MP3, Wav), followed by a limited edition CD pressing & full digital release (including Itunes, Amazon, Etc.) November 30th, 2010.  The EP includes the following four tracks:

01. Spring (bombs)

02. Summer (farahavar)

03. Fall (birds)

04. Winter (little tokyo)

Scanning for the Photo Section

I've been busy with the website.  Finally gotten around to scanning four years of photos taken by my trustee Nikon FE before it broke.  A good portion of the photos where from a series I was doing called, "Mothers, Lovers, and Fuckers", which was never fully completed.

A few individual pieces made there way into shows, although I never gathered them all together as a proper series.  And now, its no longer a series, but more of a historic document. 

If the opportunity is right, I am certainly open to showing them publicly.  For now, a few will make their way unto the photography+art section of the website soon.

"Indies I Recommend: Whale" - Lucas Mcnelly

Taken directly from "100 Films: Indies I Recommend: Whale"

"Indies I Recommend: Whale

Earlier this year, when I was naive enough to think I could somehow change the world (well, not the world as much as a city), I got in my head this idea that I could start a screening series called Indies for Indies. We had a willing venue, so armed with a bunch of ideas stolen from Ted Hope, I set up a series of indie films. And, man, we showed some great films in a stunningly beautiful. The thing is, no one showed up. And not just for the series. No one was showing up for stuff like Sergio Leone films, for Annie Hall, The 400 Blows. We put the series on hiatus and soon after that, the theatre closed. It was a shame, because we could have done great things for indie film in Pittsburgh. 

What can you do, right?

Anyway, the very first film we screened as part of the series was Amir Motlagh's Whale, a beautiful film about heartbreak, a lo-fi, found art film made by a supremely talented filmmaker. It's messy--intentionally so--but has more raw, honest truth than any film I've seen this year. Amir very quickly jumped to the top of my list of filmmakers to watch.

And now Whale is available for your home viewing pleasure. You can buy DVDs all over the place, and you can even rent it for a mere $0.99 on YouTube. Don't tell me you can't afford that. Do it. Rent it. Buy a DVD. You won't regret it."

____________

Personally, I would like to point out that you can no longer get WHALE on youtube for a mere $0.99.  Its now $1.99.  See what happens when you lag.   

Away from the give away. Plus, the sites almost done.

 

So, i've finally found a parking spot.  This is the first time my website feels integrated, and I've finally put most things under one roof.  Of course, its still a work in progress, and we have a bit to go, to make this thing fully functional, with all the content I want to have up.  But its going to happen, and it sure is happening fast. My big fear now is mostly related to grammar given the cursory nature of getting a site up and running.  

Also, this past year I've spent some time in introspection about the monstrous bourgeoning of Web 2.0.  As a man devoted to the arts (as much as one can make this claim while owning up to other responsibilities), this is becoming an increasingly tricky subject, which most people will never need nor want to think twice about.

On one hand, you have the power of connection to almost anyone from our past, present and future.  We have increased tools of self-promotion, of conversing with our peers and fans.  But these things are on one side of a debate that always get crushed by personal agenda, and sometimes solely on narcissism.  Nowadays, we give away many types of information without proper processing.  With this comes the commoditization of our personality, and negates the sense of proper individualism in a real world context.  

These technologies forces a syntax of compression, and no better example is Twitters 140 character limit.  This limit amounts to a verbal pitch, a commercial, relaying as much information as possible in the shortest possible way.  With the succinct, you lose alternative meanings, deeper meanings.  You lose the real sense of discussion.  Of course, this is only a reductive and a bit of navel gazing, but I ask other artist to think about what it means to them to commit to the arts.  

Some honest questions I would like to raise. How is being engaged 24/7 to the banalities of cooler talk, and hyper pop culture contributing to focus and or productivity?  Do you feel that your intuition is as strong as it was in the years before everything became a "discussion"?  Is your time spent "selling yourself" hindering your bigger, loftier dreams and goals?  Is in fact, the 24/7 pimping of product (what we call art-i-facts) actually causing your potential admirers to find you antagonizing or annoying?   

We have grown in a world where diversity of thought is being squeezed away by the hands of consumerism, and mostly by the cult of technology.  I understand the urge or the need to give (hurl) yourself to your peers for personal reasons, for validation and acceptance, but remember, once we all start patting each other on the back, we will lose the fringe thoughts within ourselves, the punk attitude, our gonzo's, our rebels, the free thinkers whom care less about validation and more about the process of creating.  We lose that particular sense of communication that only comes from disciplined distance, from the outside, looking in.  Even the mainstream greats had that.  Just imagine a world in which Woody Allen was sending tweets from his set on Manhattan.  Or, if Spielberg was updating his facebook fan page with lines from an unreleased script of Goonies while in production.  Where is the magic?  Is the idea of “movie magic” only a nostalgic component of my own very personal past, that others are not (equally or at all) interested in anymore?  Quite possible.  

Before you label me a luddite, i say thank you.  Also, i understand that this is presumptions and I myself have spent lots of time "pimpin my shit".  This is only written to conjure the thought process.  Thats all.  I still respect guys who choose the path of Web 2.0, and I'm open to learning from them as well.  Hell, I'm still partially entrenched in that world.  It would be silly to render all the new tools as useless or as tools in an idlers playground. I'm only arguing that they are indeed very powerful when used with some diligence and polish.

So, next time you have that urge, pull back for a second and think, do I really want to say what I'm about to say to everyone I've ever known?  And worst yet, in time, will anybody even care?

AM

Addendum:  I'm just happy I have my own place to write whatever the fuck I want without a discussion.

 

New Site and the Past

Its a work in progress.  What is under you, are all relics.  I wanted to erase the past, but I had heard somewhere that the internet never forgets.  Well, if thats the case, why not indulge in it?

Please be back to see things blossom, right before those eyes.

Voice of America interview and some Links

On Saturday, August 7th, I was interviewed live on the satellite channel V.O.A show, Shabahang, with host Behnood Mokri. They showed a few clips of my work, talked a bit about WHALE, and a bit of the challenges involved in being an Iranian American filmmaker.

The segment ran about 15-20 minutes, and when a link is available, I will post it, although my Farsi is not so good, and I'm sure it caused a few laughs. All in all, I received lots of kind messages from people all around the world saying that they enjoyed the interview.

We are currently working on a new website which will make navigating easier, especially in trying to find some of my work, which is scattered everywhere..

In the spirit of making things easier to find, you can access some of my channels here. They are all a bit different(Vimeo and Dailymotion shows some longer films like Plain Us and knock. knock. for now, and Youtube has WHALE along with some other videos), although in the future, I will migrate them all to one place. For now, check them all out, see what you like, and connect with me.

Amir @ Youtube
Amir @ Vimeo
Amir @ Dailymotion